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file icon Winfried Nöth, The Art of Self-Reference in Edward Lear's Limerickshot!
27.03.2006

Published in Interdisciplinary Journal for Germanic Linguistics and Semiotic Analysis 10.1, 2005, pp. 47-66. Many thanks to prof. Nöth and the journal editors for permission to reproduce the article.

ABSTRACT

The world of Edward Lear’s limericks is a self-referential semiotic universe. What appears to be nonsense, and hence lack of reference, turns out to be the effect of self-referential semiotic loops. Instead of referring to events and happenings in the world of Lear’s century, the signs of Lear’s universe rather refer to other signs within this same universe. The self-referential loops which lead the readers from signs of the poetic universe back to the same or to other signs of the same universe have the form of stereotypes, mirror images, narrative circles, and indexical or iconic returns to the semiotic point of departure. 

Creative Commons License
This work is licensed under a Creative Commons Attribution-NoDerivs 2.5 License.

Hits: 1224
file icon Talk at a Country House: Taking Leave; Emile Souvestre; Edward Lear; Retrospecthot!
28.11.2006

The Atlantic Monthly, vol. LXXIII, 1894, pp. 625-36.

This is the ninth instalment in a series of 10 entitled Talk at a Country House by Strachey. First publication of Lear's Eclogue.

The series was collected in Talk at a Country House: Fact and Fiction. Edinburgh and London: William Blackwood & Sons, 1895.

Hits: 669
file icon Marco Graziosi, Testo verbale e testo iconico nei limericks di Edward Learhot!
28.11.2006

Thesis. Università degli Studi di Bologna. Facoltà di Lettere e Filosofia. 1982.

In Italian. 

Creative Commons License
This work is licensed under a Creative Commons Attribution-NoDerivs 2.5 License.

Hits: 2188
file icon Fanny Kemble and Lear in Italyhot!
28.11.2006

Littel's Living Age, vol XV, October-November-December 1847, pp. 481-94.

A review of Lear's Illustrated Excursions in Italy originally published in the Quarterly Review.

Hits: 1002
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